The Curious Quilter is a Camping Quilter!

 I have always brought handwork along whenever I travel. But then I discovered the RV Quilters group on FaceBook and saw pictures and read stories of people piecing and quilting in their RVs. A whole new world opened up for me.

I began to develop this fantasy about driving around the country in an RV, pulling into a quilt shop parking lot, setting up my machine and starting to sew away.  Well, I'm almost there. I've become a Quilting Camper! 

I bought my little TearDrop in July. I named her Trudy and began taking her on trips - for a few days to a week. After the first trip I started bringing my sewing machine and quilting set up. I've fine tuned my set up over the months and now I have something that works well for me.

On most (ALL) of my trips, I look for new local quilt shops to visit. I have found that visiting a quilt shop makes it possible for me to feel like I already have a friend in the area. When I tell the shop ladies that I'm camping near by, it really gives us something to talk about. 

There are so many quilting inspirations to see while camping. Nature, colors, patterns, art, and architecture. In Manatee Springs, the park building had this great Barn Quilt -  Inspiration is all around!

I'm a bit hamstrung by the weather. I used to be a fair-weather snow skier. Now I'm a fair-weather Quilting Camper. No rain, of course. not too windy. Neither too hot nor too cold. But just right!

Most campgrounds have picnic tables. I have a selection of cute, seasonal vinyl tablecloths that I immediately put on the picnic table. First comes my smallest Bernina machine - the B325. Its great for traveling, workshops, and retreats. It has enough of the stitches I use on a regular basis. I always laugh a bit when I look down at my foot pedal and see it sitting on the grass, gravel, or sand. Next comes my cutting mat and ironing mat, usually to the left of my machine. My tool box sits on the bench on my right. I use rulers, my phone, my solar lanterns, and the occasional glass of wine to hold down my fabric and paper pieces that threaten to blow away in the breeze. I even have a little bleacher pillow to sit on to cushion my rear from the hard bench.

Projects? As you probably already know I love to work on lots of projects simultaneously. That method doesn't lend itself to camping where space is usually limited. But I get bored fairly easily when working on one project.  So, how to provide diversity of projects while limit the space required for lots of projects? So far, the answer to my dilemma is a complex Quiltworx project  - in this case Dinner Plate Dahlia. It's got lots of varied shapes, fabrics, and techniques to keep me on my toes. And it all fits into one double Art Bin tote. 

So my set up works well, but I don't usually sew for more than a few hours at a time. I have knitting and hand work along if the weather is iffy, or after dark (in my tent by lantern light).

I love being a Quilting Camper! Campfires, sight seeing, visiting quilt shops, and sewing. It doesn't get much better than this.

Curious about campsite quilting? Come join me for a day or 2. Either locally or on one of my adventures further away. It's so fun!

50 Quilts from 50 States - Iowa

Even before I started quilting, I fell in love with the Bridges of Madison County Iowa. I read the book, I watched Meryl Streep and Clint Eastwood fall in love in the movie, I even had a CD with original songs by the book's author Robert James Waller. 

My first trip to Iowa included a visit to Winterset to see the bridges, as well as the birthplace museum of John Wayne. My second trip included a trip to the Iowa Quilt Museum to see an exhibit by MaryAnn Fons.

So, obviously, my inspiration for Iowa has to be the Bridges. Obviously there is lots to see and do in Iowa. Corn, there is corn, lots of corn. A sea of corn - it stretches as far as the eye can see. The Amana Colonies are interesting from a historical and cultural perspective, as is the Mississippi River Museum in Dubuque.

Guilds and Shops in Iowa
Iowa is the home to Fons and Porter, the iconic quilting gurus who have been publishing patterns, magazines and videos for over 20 years.

The Generations Quilt Patterns website has 40 guilds and 132 shops on their list. I've visited a few in Des Moines, the Amana Colonies, and Council Bluffs - where my favorite shop is. Whenever my son AJ and I go to the Omaha Zoo (stay tuned for my Nebraska Quilt), we always stop at Cut Up & Quilt in Council Bluffs. 

The Inspiration
The Bridges - Cedar, Cutler-Donahoe, Hogback, Holliwell, Imes, and Roseman are the remaining bridges in Madison County. But how to incorporate them? I took several pictures on my trip, but they really didn't sing to me.
I did find several fabric panels with covered bridges but a wall hanging with a panel also didn't sing to me. But I was getting closer. 

My friend Liz Granberg-Jerome of Gypsy Dreamer Quilts teaches classes on using panels for One Block Wonder quilts. She calls them Hexified Panels. OK, that's it, the perfect technique for this panel wallhanging!

The Quilt
I found a panel that had good color, looked like the bridges I saw in Madison County and I thought it would be a great candidate for a One Block Wonder. The panel was made from a painting by artist Larry Hersberger.  So I ordered 7 panels (6 to stack and 1 for the focus).

Due to the strong horizontal lines in the roof and tree line, I decided to cut the strips on the diagonal - after starching it 3 times to tame those bias edges. Since the panel is not very large, I cut the strips 2 3/4 inches so I can get the maximum number of hexies from the panel. Now comes the fun, but mindless part - sewing half hexies together and arranging them on the design wall.

Then comes some decision-making. To frame the panel or not? If I frame it, what color for the frame? To set the hexies in straight-edged or allow them to flow into the panel? This is where art and design meet craft and technique.

After trying several layouts, I settled on a small yellow border (to lighten up the dark sections of the panel) and then centered it within the hexies. I arranged the hexies so that they somewhat mimicked the color placement within the panel. A simple batik border finished it off. 

I have to admit, even though I starched the heck out of the strips, it was still somewhat wavy due to the bias edges. I forewarned Lori Kukuk, one of the fantastic long arm quilters with whom I love to work, that it might take some special TLC to help it lay flat. Poor or inaccurate piecing won't always quilt out, but Lori is pretty talented and if anyone can tame those wavy edges, she can. She did not disappoint. I especially love the simple waves in the sky and the continuous curves in the hexies.

Iowa Bridges is the third quilt in my 50/50 series. I've already started on Oklahoma and have plans for about 25 more. Stay tuned!

The pattern is available to order as a hard copy, or as a download from my Etsy Site. So check it out!

I'm Curious about your visit to Iowa. Leave a comment and let me know.

3D Blocks Wallhanging

Update - Five and a half years later - I finished this wall hanging back in 2015 and thought you might like to see the finished product (I actually do finish things).
D


Original post from 2012:  
     I love taking classes. I always learn so much from the teacher as well as the other students. I get to see projects in colors that I wouldn't normally use and it inspires me to maybe try something different next time.

    Today I took a class at Stitching Traditions in Topeka. The teacher, Kathy Pflaum, was wonderful with all her tips and tricks for success. She will be teaching a year-long color and design class starting in October. I'm checking my calendar to see if I can swing it.

    These blocks are built up in layers  - there is no piecing and in fact, very little sewing. Each layer is folded into either a rectangle, square, triangle or other shape and attached by stitching around the outside of a base block.  A good hot iron and some sizing or pressing agent is useful to get nice crisp folds. I finished these 2 in class and hope to finish another one tonight.  This could get addicting!
    The book 3D Folded Blocks is by Geeseje Baron and Esther Vermeer - check out their website.   

Still Curious in Kansas!
D

Vintage Rose by Judy Niemeyer - Part One

I'm not sure I even know where to start. The beginning maybe?

I've been watching the Judy Niemeyer and Quiltworx phenomena for a few years. The patterns are really stunning and look very complex. Last fall I saw the new teaching piece Vintage Rose and fell in love.
OK, I have to make this. 

Thus begins my search for a workshop. I consider myself an experienced paper piecer, but I have never made a Judy Niemeyer (JN) quilt before and it seemed a little daunting. I won't go through the list of workshops I looked at - suffice it to say I was looking at everything from Montana to Phoenix. I found the perfect workshop at Kinderhook Lodge in Barry Illinois. It was sponsored by JN Certified shop Peddler's Way in Washington Illinois. Perfect place (4 hours drive), perfect time (beginning of May), and did not break the bank.

Diane and Linda, the ladies at Peddler's Way Quilt Company were so nice and helpful in getting me started. I ordered my pattern - the instructions and foundation papers - from them. On their advice, I signed up for Quiltster, an online program that enables quilters to design color placement on JN quilts. Given that there are hundreds (or more) pieces and thousands of coloring possibilities, there is no way I could have chosen colors without using Quiltster.  I worked up four possibilities and finally decided on a turquoise, orange, and pink colorway.

Since the workshop was only four days and the project quite intense, we had some prep work to do. Here is where it really started getting challenging. I've done a lot of paper piecing, but Judy's process includes cutting and stacking pieces so that the quilter can assembly line sew or chain piece. This was new to me. 

Judy's foundation papers are printed on newsprint, and included in the pattern are cutting templates. The directions indicate what size to cut large chunks of fabric. I pinned the newsprint cutting template to the fabric chunk and then cut along the indicated cutting lines. Most of the time my color choice required a stack of eight fabrics. So now for each section I have lots of stacks of fabrics clipped to the newsprint template. 

Ok, so I have my fabrics, most of them precut; pattern read, reread and highlighted; sewing machine and supplies packed; I'm ready to go.

Kinderhook Lodge is just across the Mississippi River from Hannibal Missouri. Good luck that there are at least three quilt shops between here and there - I decided to stop at two - Missouri Star in Hamilton and Hickory Stick Quilt Shop in Hannibal. Let's just say I left some money at each one.

Kinderhook Lodge is a beautiful facility - great food, and a peaceful setting. I'm hoping our guild can arrange some retreats there. Our Vintage Rose cohort is already planning a reunion next year.

So, are you curious about foundation piecing the Judy Niemeyer way? Stay tuned for Part 2!

Learning and Laughing at Kimberbell Academy

I had a great opportunity last month to go with Mona and Liz from Mea Bernina to Logan Utah. Logan Utah? February? I know!
It was great!
Logan Utah is the home of Kimberbell Designs, a wonderful embroidery design company owned by Kim Christopherson. We were there to go through training so that Mea Bernina can offer very cool embroidery events. So now after the training we are officially a Kimberbell Certified Shop!

Our training was held in the gorgeous, spacious classroom at My Girlfriend's Quilt Shoppe owned by Kim's twin sister Kris. The shop has wonderful fabrics, including Kim's line of Kimberbell fabrics. I also bought some wool to use on Around the Garden (more about that in a later post).



We made a sampling of various types of projects from four of the main event collections: Pillow covers, goodie cinch bags, zipper bags, flower pins, and mug rugs. All absolutely adorable. What impressed me the most was how ingenious the digitizing team constructed the dimensional pieces - putting in zippers in the embroidery hoop, lining cinch bags in the hoop, using mylar and tule, and adding ribbon hanging loops.  Oh so much fun and so interesting! Our (Mea's) embroidery customers are going to love these projects! But until they are ready, we've got some other great Kimberbell classes. Check it out!




Logan Utah is in the Cache Valley, a beautiful vale surrounded by snow dusted hills. The trip there and back was also pretty cool. I had never been through north eastern Colorado or southern Wyoming before. The landscape was quite spectacular - barren and beautiful. The rock formations were awesome - perhaps they might inspire a future quilt!

Kimberbell rocks in so many ways - as a woman-owned and run business; as a source of sweet, cute embroidery designs (Kimberbell Kute); as a smart, customer-focused enterprise, and as great hosts in Logan.  Overall, a great trip!

One Block Wonder - One crazy fabric equals one GEORGEOUS quilt

OK I almost don't even know where to start about One Block Wonder (OBW) quilts. I love them! I probably buy more OBW fabric than any other type of fabric.





My love affair with OBW quilts actually started with a Stack-n-Whack class at Overbrook Quilt Connection. What's the difference between OBW and SnW? The OBW was designed by Maxine Rosenthal. The SnW technique was designed by Bethany Reynolds. They are close cousins - the quilts, not the designers (grin). Both are kaleidoscope quilts. Both start with layers of fabric cut in exactly the same place. OBW usually have 6 layers and SnW usually have 8. OBW are cut in equilateral triangles; SnW are cut in wedges or 90 degree triangles. OBW are usually put together without a background, SnW utilizes a background fabric. You can get books that feature both techniques.



The SnW class I took at Overbrook Quilt Connection a million years ago was wonderful, although I am sorry that I don't remember who taught it. Here is what I do remember: my friend Bobbie and I used the same focus fabric with different backgrounds - I used yellow, she used green. The teacher warned us not to get our fabric mixed up, but one look at my area and you could tell by the mess that it was mine. Bobbie's fabric was nicely trimmed and stacked and mine was all over the place. There was no way we were going to mix up our stacks of fabric!

My next one was a OBW. My son James wanted a black and green quilt, so I decided to make him a OBW (see the first pic in the post). After looking for just the right fabric for a month or so, I finally found a cool tropical flower print in Colby Kansas.  I bought 6 or so yards - enough for the 6 repeats of the pattern plus some extra for borders.  After cutting the triangles and putting together the half hexies, I set aside all the blocks with the bright red, yellow, orange and yellow flowers. So James' quilt was mostly black and green and I had plenty of leftovers for a bright tablerunner.

One of the things I love about SnW and OBW is that you can use fabrics that you wouldn't normally put in a quilt - or at least fabric that I wouldn't normally use. You could even use "ugly" fabric! Check out some of the fabrics before I stacked and cut, and then the resulting hexagons. Pretty amazing, yes? 

Western Belt Buckle fabric

Kaffe Fassett Floral fabric

The other thing I love about OBW is that the technique is fairly simple. You just layer the fabric, cut strips and then triangles, and then sew 2 sets of 3 triangles together to make 2 half hexies. The hardest part is laying the hexies out in a way that "flows".

The third aspect of OBW that thrills me is that you have a million options when it comes to the layout - you can add tumbling blocks, solid strips, make the layout asymmetrical, or any number of other creative options. 

I am going to be teaching One Block Wonder quilts at Mea Bernina sometime in the future. I've taught 2 classes already and people want more. So check out the website for upcoming classes and come play with OBW quilts with me! 

Just writing about OBW makes me want to go down to my studio and play with my pretty OBW fabrics!

2017 - New BOMs! Oh Boy!

OK, so we all know I am a BOM addict. And here it is a new year, with a bunch of new BOMs starting. How could I resist?

So, here is the new 2017 BOM rundown:

Overbrook Quilt Connection is hosting a BOM in which you pay for your first month's block and if you get it done and bring it back next month, you get that month's fabric free. Free is good! 

I love the pattern as well as their fabric choices - and that doesn't happen very often. The unique layout of the blocks is really what drew me in. The fabrics are solid/tone on tone dark purple, magenta, gold, dark turquoise and dark grey with a white background. I haven't made the first block yet, but I'm definitely on schedule to have it finished in time to get my free second block.

Even though I haven't completely finished last two year's Hexagon Quilt Along with Katja Marek, I am getting ready to start the new one called Perpetually Hexie.  Katja's projects are all done with English Paper Piecing technique. I've ordered the paper pieces for the first two months. I'm not sure, but I am probably going to do this one in batiks, although grey batiks, true grey, are difficult to find. 

Next up is the 2017 Murder Mystery BOM by Whipstitch Modern Sewing.  I generally don't particularly like mystery quilts because they are a challenge to chose the colors since you don't know how its going to turn out. The interesting thing about this mystery BOM is that a chapter of the murder mystery story comes with the pattern.  The setting for the story is Cumberland Island, off the coast of the Georgia/Florida border. The main character is archaeobotanist Kitty Campbell. Should be interesting!  The first pattern (clue) arrived a few days ago, and I still am needing to locate (buy?) the main background fabric. She recommends, and I think I agree, that a bright green might just be the right color for the background.

The forth BOM on the list is Down the Rabbit Hole by Sarah Fielke. Our first block is expected at the end of January - so I'm not behind yet! I bought a champagne-colored linen-like fabric called "Quilters Linen" by Robert Kaufman. First time I've ever tried it, so I'll let you all know how I like it. I am thinking about using wild, wonderful Kaffe fabrics for the appliques.

Now, last (maybe until another one entices me) but not least is The Quilt Show's Halo Medallion, designed by the late, great Sue Garman.  My quilt is going to have a much different look - I chose a paisley on black for my focus fabric and will use blue, green, red and gold from the focus fabric for the accents. 

So that's 5 (1 in a shop and 4 on-line) new BOMs on top of the ones I'm still working on and the new ones I may start later . . .  Like I said, I'm a BOM addict!

Kaffe Fassett - A Love Affair with Color

Did you know Kaffe Fassett designed clothes for Barbara Streisand? Me Neither.
My first introduction to Kaffe was through Rowan yarns during my knitting days. I had no idea he was a haute couture fashion designer, a needle point designer, as well as a fabric designer.

So over the years I have used some of Kaffe's fabrics and have become more enamored with it.  I made this Convergence Quilt called Ricky Tims Meets Kaffe Fassett back in 2013 with Kaffe and Brandon's fabrics.  But starting in Fall 2016, I really kicked up my love affair with Kaffe's fabric up a notch.

First I joined Kaffe club from Charlotte's Sew Natural - I get 6 half yard cuts of Kaffe Collection (Kaffe, Brandon Mably, and Phillip Jacobs) fabric once a quarter.  I am anxiously awaiting my second shipment. Now Kaffe Collection fabrics have their own shelf on my fat quarter spinner rack!

Second, I joined the Kaffe Club at Sarah's Fabrics. We meet once a month on the first Saturday at Sarah's. Each month there are challenges - pertaining to fabrics, colors, or patterns. I haven't done any yet, but have fabric and plans to do the flying geese challenge.

Third, I had the definite pleasure to hear a lecture and take a workshop with Kaffe and Brandon hosted by Sarah's Fabrics on October 4th and 5th.


The workshop was awesome! Kaffe took some of us shopping in Sarah's to get just the right fabrics for our zig zag quilt.  We all did the same pattern from Kaffe's book Quilts In Italy. The pattern is quite simple but it's the fabrics that make it outstanding. We all used very different colorways. I choose soft blues and greens to evoke the feeling of the Italian coast.  We only did cutting and arranging during the workshop. I have most of my quilt sewn together now. 


Sarah's is having a show of all the workshop quilts on Friday January 27, 2017. Since I'm traveling, I don't think I'll have my quilt done in time to hang. Too bad! But I'm going to go and see all the completed quilts. I'll add some pics in a blog update so you can see some of the other colorways.

Curious about color? Check out the Kaffe Collective!