My Favorite Designers - Chapter 7 Kaffe Fassett and Friends

Yesterday I had the pleasure of attending my second workshop with Kaffe Fassett and Brandon Mably at Sarah's Fabrics here in Lawrence (here is a post about my first workshop at Sarahs). WOW! This was a color class - and man did we do color!

I have also been to two lectures by Kaffe during which he provided some background, experience, previous patchwork, knitting, and needlepoint works, and sources of inspiration. Many of you know him and know about his art. I continue to be impressed by his legacy. I can't even begin to do justice to his body of work. I encourage you to read his biography on his website - you'll be amazed!

Kaffe and Brandon are two-thirds of the Kaffe Fassett Collective - the fabric design company that also includes Philip Jacobs. These three men have totally turned the quilting fabric world on its head (IMHO). Large patterns, rich colors, fanciful scenes - oh my it is glorious - Glorious Color that is!

So, as I have categorized it in my little quilty mind, Kaffe is all about fabric design and color. His quilt patterns are fairly simple in terms of design, what makes them sing is the fabric and the way he puts color and pattern together. So color and pattern is what we learn in his workshops - not color theory or anything so "boring" but working outside our comfort zone with color combinations and wild, daring patterns we wouldn't normally use. 

After a day of cutting hexagons and triangles and putting them up on a gray flannel design wall, Kaffe goes around and "critiques" our work. It was so interesting to see how different setting triangles changes the whole look of a quilt that used the same color hexagons. Here are a few examples of yellow hexagons and the variations in setting triangles. Many thanks to my class mates for their wonderful examples (sorry, I did not get everyone's names).

In order to provide some focus, I choose Moroccan Spice Market as a theme and narrowed by pile of Kaffe Collective fabrics down to paprikas, chili powder, a bit of tumeric, hot red, orange and pink. I wanted the reds to glow and zing, so I choose a dark blacky purply smoky series of 6 fabrics for my triangles. I'm happy with the outcome. I'm planning on making Moroccan Spice Market about twice as large as it is now, so I have lots more hexies and triangles to cut.

This quilt is from Quilts in Moccoco. His books have patterns, but are more like coffee table books with wonderful photography. Check them out, they are gorgeous.

Although I don't feel like I know Kaffe, Brandon, and Philip as well as the other designers in my Favorite Designer series, I know and love their fabrics and look forward to each new release. Sarah's hosts a Kaffe Club which meets monthly to celebrate and challenge ourselves to use Kaffe Fassett Collective fabrics. I have learned so much from and been inspired by these creative ladies in the club. Now I can spot a KFC (not the chicken) fabric at 50 feet.

I've joined the Kaffe Collective on FB and get to see amazing quilts made with amazing fabrics.  I also follow Philip on FB and love seeing how he makes and paints his fabrics  - when he's not scouring the English countryside for old WWII bits and pieces using his metal detector.

I have a few other quilts made from Kaffe Collective fabrics. Some finished, some almost finished, and some in my pile of many UFOs. I have 4 shelves on my FQ storage tower devoted to KFC fabrics. I'm smitten, in love, hooked. 

Curious about KFC? Get a book, follow on FB, get some KFC fabric. Jump into color and pattern. Wallow around in wonderful!

A New Quilt From Start to Finish - Chapter 2 Color

Now that I have the different sections of this
quilt chosen (check out this previous post about designing this quilt), I get to color it. Quiltster is a great tool for auditioning fabric. There is an option to choose fabric collections - Judy's fabrics, Kaffe, Bali Watercolor Batiks, and more. Excitement building, big time!



To give myself some limits, I only designed with the 1895 Bali Watercolors. Even then, there were so many to choose from. I would suggest identifying a color scheme and sticking with 4-6 hues and their cooresponding tones. I have a board on Pinterest reserved for color schemes. I saw these leaves and it immediately spoke to me. This would be my palette. 


Just for fun, I tried a few other ones. In this one I used peacock-inspired colors. I get a big kick out of coloring quilts that I may never make. It helps get me out of my color box.

So here is what I finally decided on. Not quite as much purple as in the leaf picture, but I like how it turned out. At this point, I still haven't seen the fabrics next to each other, so I'm taking it on faith.





Another cool feature of Quiltster is that it gives you a yardage chart - either total or by block. At Quiltworx University, we were the guinea pigs for the newest feature of the system - the fabric requirements were sent straight to the quilt shop that was hosting our event, Thimble Towne. So my fabric was cut into strips and was waiting for me when I got there. Although I do enjoy the fabric shopping aspect of quilt making, this feature would save lots of time. I'm not sure how many or which stores will be connected to Quiltster, but I'm excited to find out.

Check out Quiltster - even when you are not designing a quilt, it's a great creative on-line activity.

My Favorite Designers - Chapter 3 Judy Niemeyer

I have just finished a terrific week in Bakersfield California at Quiltworx University with Judy Niemeyer, her daughter Judel and about 10 Certified Instructors. I’m writing about my project in separate posts. And boy, is there a lot to write about!

I’ve known about Judy Niemeyer for several years-most quilters have. I knew her designs were intricate, mostly paper pieced and I knew she had her own line of batik fabrics. WOW so little did I know! 

Judy designed and made quilts by hand for 20 years. Then she discovered foundation paper piecing and recognized the revolution that it could be to help quilters make complex looking quilts. Although I don’t know the exact history of how she got from then to now, I’m sure it’s been quite a journey.

Now she has 75 or so Certified Instructors that are trained in her methods that help quilters make intricate quilts in a very efficient manner, saving hours by using an assembly line approach. For those of you thinking that this might take the fun and tradition out of quilting, I would argue that the fun is still there, you just spend less time pinning and trimming. There are also hundreds of patterns, lines of batik fabrics, and a great on-line program called Quiltster that is absolutely going to revolutionize the design and fabric buying process. 

Both Judy and Judel are down to earth, easily approachable, smart

women. Quiltworx is a family company. Son Bradley does the computer based drawing and designing. The other employees and CIs are also like family. The family lives in Kalispell , Montana.  It’s not an easy place to get to, but WOW is the area gorgeous! Just outside the west side of Glacier National Park.

Every year or so Judy designs a technique of the month quilt that incorporated several techniques for quilters to learn and master. The last technique of the month was Vintage Rose and I fell for it in a big way. Vintage Rose was my introduction to Judy’s designs and techniques. The technique of the month patterns can only be done through a certified shop or a certified instructor. I made mine through a certified shop in Illinois - Peddlers Way. I went to a retreat center in Illinois, just over the Missouri border by Hannibal. It was a beautiful old farmhouse with a modern retreat center added in a separate building.

So here is why I like Quiltworx patterns:

• Quilts can be designed in Quiltster so that you can visualize what the quilt will look like in different color ways.

• Quilts can be designed with mix and match sections. Choice of 6 center stars, 9 borders, etc.

• Papers are newsprint so they are easy to tear off. 

• Papers can be stacked so they can be cut out in layers as opposed to one at a time.

• Pieces are drawn to take advantage of grain line, so that each piece is either on grain or on bias as appropriate.

• Fabric is stacked under template layout and cutting sheets so that it can be cut out in layers.

• Fabric pieces are of a generous size so that they will easily cover the section.

• Parts can be assembly pieced so you reduced thread, and needle up and down time.

• Parts are put together with smart corners and transition points so they easily match up.

• Appliqué piece templates are lazer cut on a sticky leave-in material that makes it so easy to prepare shapes.

They have thought of everything, and if someone thinks of something new, it can be easily incorporated into the next series of quilts and updated into older patterns.

This company has a great history, but more importantly, they are really pushing into the future with a vision. I can't wait to see what comes next. 
Check out Quiltworx and Quiltster! You won't be disappointed.

My Favorite Designers - Chapter 1 Tula Pink

Tula Pink rocks her name! She rocks fabric, quilts and color too!

I have lots of favorite designers, but I decided to start with Tula since she was just here visiting the Kaw Valley Quilters Guild. We were lucky to have her here, but unlucky in that the Tuesday morning group missed out due to an ice storm. 

Tula described her process of designing fabric. I am in awe of her creative talent. She draws all her precious creatures by hand on paper and then translates them into fabric with colors. I loved her statement that God used an aweful lot of brown in His designs, so she decided not to use brown, but rather to color the precious creatures of her fabrics in pinks, oranges, teals, purples, and greens. 

I also appreciate her design thoughtfulness and purposefulness in that she ensures her previous designs work well with current designs, which will play well with future designs. I am really looking forward to getting my hands on her 25th collection which should be in shops any day now. Tula's All Star line includes the special creatures from previous lines (recolored), dots, and stripes.

I imagine Tula must not sleep much. In addition to working on 5 lines simultaneously (in-head, drawing, production, selling to shops, selling in shops), she makes 40 or so quilts a year, designs books and patterns, speaks and teaches internationally, designs hardware (scissors, rotary cutters, and seam rippers), and quilting software. I was exhausted just thinking about everything she does and does expertly!


OK, so Tula is a gifted and prolific fabric and quilt designer, but what is she like? Funny, imaginative, colorful, and personable. I had the good fortune of taking a class with Tula a few years ago at the Sisters Oregon Quilters' Affair. The class project was Moxie. I used Tula's fabric line Elizabeth. It was fun laying the fabrics out and working on curved piecing. I just need to add some borders and get her quilted. 

At about the same time, I facilitated a group within the KVQG of members wanting to work on Tula's City Sampler - 100 Modern Quilt Blocks. Several members got theirs done and as a group we made one in black and white with turquoise sashing for the guild's opportunity quilt. I thought it was absolutely stunning. I'm sorry to say that I am still working on my 100 blocks. I'm using PB&J line in a blue/red/mustard color palate, with some other fabrics thrown in.










My next Tula adventure is going to be some fussy cutting for English Paper Piecing. I'm either going to make Tula Nova or Lucy Kingwell's (Jen Kingwell's daughter) Smitten using Tula's new All Stars. So look for an update!

You just have to be curious about Tula Pink! Check her out, you'll love her.

 

Rulers - The Right Tool for The Job

I'm a sucker for rulers. Quilt shops, quilt shows, trunk shows, workshops - if there is a ruler for sale I'm always looking, and usually buying.

When I started quilting, the yellow OmniGrid rulers were really the only ones available. In combination with the rotary cutter, rulers  were probably the most innovative thing to happen to quilting since the sewing machine. When I started quilting, rotary cutters and rulers had just come out, so I've never really quilted without them.

Now Creative Grids, special order rulers, designer specific, as well as other ruler companies have joined the game and there are rulers out the wazoo.  And I own a lot of them. Not as many as I could (that's how I rationalize it), but a lot.

Let's start with what I call the "traditional" rulers - most of mine are Creative Grids. I love the Creative Grids website, they have videos on how to use the rulers, which is especially helpful for the specialty rulers. Traditional rulers are the rectangle and square rulers, used for cutting squares and rectangles for piecing, and squaring up blocks. But there is so much more I can do with these basic rulers. 45 and 60 degree lines enable me to cut bias strips and triangles. The extra lines help me cut specific sizes like .25 inch seam allowances after completing foundation paper pieces. I have a long (6.5 x 24.5) and medium (6.5 x 12.5) as well as some smaller ones (2.5 x 12.5 and 4 x 12.5). Several shops have 2.5 x 6 rulers with the shop name on them - I have 2 or 3. 

Square rulers are handy for cutting, fussy cutting, as well as squaring up blocks after piecing. Technically, I could use one large ruler to square up blocks the size of the ruler and smaller. But, its much easier and always preferable to use the ruler that matches the size of the block. So - I have 3 of them - a 14.5 inch square, an 8.5 inch square, and a 6.5 inch square. And of course I covet a few more to fill in all the sizes.


OK, so these are the necessary, but somewhat boring rulers. Now, for the more exciting, enticing specialty rulers. There are tons, so I'll highlight just a few of my favorites - Stripology Squared (in this post), Hexagon and Side Kick, Trimmer by George, and  the Quick Curve Ruler (in a later post).

I learned about Gudrun Erla's Stripology ruler about a year ago and have used it a lot to make jelly roll strips and smaller strips for fabric bowls. A cool ruler.

But then Gudrun came out with her Stripology Squared ruler. It does everything the Stripology does and more - squaring up, fussy cutting, and cutting blocks in specialty patterns.

I took a class from Gudrun sponsored by Prairie Point Quilt Shop and learned all sorts of fun things to do with her new ruler - most involving layer cakes (the fabric kind, not the chocolate kind). Gudrun also designed a bunch a cool patterns to accompany the ruler. In class I worked on her Valerie pattern with these great bright fabrics from the For You collection by Zen Chic. I added some solids to have enough layer cake squares for the pattern, and some popping orange for the sashing.

This cheery quilt is in my rotation as the "free spot", so hopefully it will be finished soon. I'd better start looking for some yardage for the backing. For You is an older collection, so there isn't a lot of yardage still out there.

Next time - more specialty rulers.

I'm curious - what are your favorite specialty rulers? Let me know.

Tile Applique

I have long drooled over the gorgeous tile applique quilts in Carole Jones' book Tile Quilt Revival. So when a sample of a small tile quilt appeared on the wall at Sarah's Fabrics with a sign saying classes were forming, I jumped at the chance to take it. 

Three wows - getting to take a class from Carol, whose work I have admired for years, the class pattern - sort of stylized leaves, and the fabric in the class kit - Kaffe. I couldn't pass it up.

I did have a bit of angst though. I had taken classes and tried four or five variations of needle turn hand applique (needle turn, prepared pieces, back basted) and it never caught on. I did not like hand applique. One might even say it stronger - I loathed hand applique.
But I went into this with a positive attitude - after all it had 3 wows going for it. 

So, what makes this tile applique? The grout! The shapes are basted right next to each other so that when 1/8 inch allowance from each shape is turned under, it looks tile with grout in between.

Carol is a great teacher. The pattern was just complex enough so that I wouldn't lose interest, but not so difficult that I'd never finish. Of course the Kaffe fabrics were a wonderful mix of color and pattern. Her verbal and written directions were spot on - she had us use freezer paper to trace the pattern and cut out the shapes, baste them in place and in no time I found myself with needle in hand, turning under a 1/8 inch seam allowance.

Now just 2 short weeks later, I have one (of four) panels completed and have started on the second. And I am loving it! My grouts are almost consistent, points are pointy, and inner curves are curvy and I'm loving the look of it.

Curious about Tile Applique? Check out Carol's book. It's a old technique but with a fresh new look.

Space Journey EPP Mystery Quilt - Hillbilly Quilt Shop

So what's better than an fussy cut EPP project combined with a mystery? Not much! Tonya Owens of Hillbilly Quilt Shop designed this project using Paula Nadelstern's Chromazone medallions.  

We were directed to choose 3 fabrics that complement the Paula Nadelstern medallion fabric. I choose a bright lemon-lime, a teal and a fuscia. Love, Love, Love those colors.  

At this point we have hexagons, diamonds, large and small triangles and no clue how they go together.  I prepared all my paper pieces to take on a cruise (that never happened). Oh they were beautiful - little baggies of color.




Piece by piece the sections took shape. Tonya gave them wonderful space-type names like Stars, Meteoroids, Super Novas, Space Stations, Tie Fighters, and Space Rovers. 

I now have it half completed and I am liking the look. I'm sort of toying with adding another section. Luckily I had a premonition that I might want it longer, so I bought some extra medallion focus fabric. 




Another great EPP project!

2017 - New BOMs! Oh Boy!

OK, so we all know I am a BOM addict. And here it is a new year, with a bunch of new BOMs starting. How could I resist?

So, here is the new 2017 BOM rundown:

Overbrook Quilt Connection is hosting a BOM in which you pay for your first month's block and if you get it done and bring it back next month, you get that month's fabric free. Free is good! 

I love the pattern as well as their fabric choices - and that doesn't happen very often. The unique layout of the blocks is really what drew me in. The fabrics are solid/tone on tone dark purple, magenta, gold, dark turquoise and dark grey with a white background. I haven't made the first block yet, but I'm definitely on schedule to have it finished in time to get my free second block.

Even though I haven't completely finished last two year's Hexagon Quilt Along with Katja Marek, I am getting ready to start the new one called Perpetually Hexie.  Katja's projects are all done with English Paper Piecing technique. I've ordered the paper pieces for the first two months. I'm not sure, but I am probably going to do this one in batiks, although grey batiks, true grey, are difficult to find. 

Next up is the 2017 Murder Mystery BOM by Whipstitch Modern Sewing.  I generally don't particularly like mystery quilts because they are a challenge to chose the colors since you don't know how its going to turn out. The interesting thing about this mystery BOM is that a chapter of the murder mystery story comes with the pattern.  The setting for the story is Cumberland Island, off the coast of the Georgia/Florida border. The main character is archaeobotanist Kitty Campbell. Should be interesting!  The first pattern (clue) arrived a few days ago, and I still am needing to locate (buy?) the main background fabric. She recommends, and I think I agree, that a bright green might just be the right color for the background.

The forth BOM on the list is Down the Rabbit Hole by Sarah Fielke. Our first block is expected at the end of January - so I'm not behind yet! I bought a champagne-colored linen-like fabric called "Quilters Linen" by Robert Kaufman. First time I've ever tried it, so I'll let you all know how I like it. I am thinking about using wild, wonderful Kaffe fabrics for the appliques.

Now, last (maybe until another one entices me) but not least is The Quilt Show's Halo Medallion, designed by the late, great Sue Garman.  My quilt is going to have a much different look - I chose a paisley on black for my focus fabric and will use blue, green, red and gold from the focus fabric for the accents. 

So that's 5 (1 in a shop and 4 on-line) new BOMs on top of the ones I'm still working on and the new ones I may start later . . .  Like I said, I'm a BOM addict!