New BOM Coming This Summer - Log Cabin Sampler

  

Curious about Log Cabin Blocks?

I was planning to make a log cabin quilt to represent Tennessee in my 50 quilts from 50 States project because my grandparents lived in a white-washing log cabin at the City Reservoir in Johnson City Tennessee – they were the reservoir caretakers.

So as I was exploring log cabin blocks, trying to decide which one(s) to use for the Tennessee quilt, I was excited and a bit overwhelmed by the shear number of different log cabin blocks. Every time you change colors or layout, the block gets a new name. So I decided to make a log cabin sampler.

It was so much fun to figure out the blocks, the colors and the layout. There were also various techniques to try – accurate cutting, trim tool ruler, and foundation paper piecing. 

I thought this project would make a fantastic BOM to do together. It will be offered on-line (FaceBook and email) starting in July – I’m not sure when yet, so stay tuned. The pattern will be available for download from my Etsy Shop for about $10 or I can send you a hard copy for $15 plus shipping. I plan on making a video each month featuring that month’s block and technique. There will be a special FB group you can sign up for to share progress and questions.

If you would like to participate, please send an email to me at djps1957@gmail.com and I’ll put you on the list. I’m excited to make this quilt again. Hopefully you’ll join me.  

 

Stay Curious

Woven Wanderings

 Many of my quilt designs and patterns are quite complicated, with many peices and involved techniques. So I thought I should design a quilt that is simple to make, has just one block, and is perfcect for beginning quilters. Woven Wanderings fits the bill!

The block that makes up this quilt is one that I've made many times for block exchanges. It looked very cool on its own. I started wonderibng how it would look repeated over and over again.  So I made several of them and really liked how the pattern took shape. The problem was that there were too many seams to match. I wouldn't want to attempt matching that many, and it certinaly wasn't appropriate for a beginning quilter.

So, ever curious, I began playing with the block to see if I could achieve the same look without the matching. And of course there was another way.  However, this block required one additional simple technique - partial seams.

I've made the quilt in two colorways and I think the results are pretty darn cute! This pattern is a great way to feature a pretty fabric - either in the woven strips or in the background. I've done this in each of the samples I've done.

I am so excited to share this pattern with you. I hope to use it to teach beginning quilting, and I think it will make a really cute lap quilt. Woven Wanderings is available on my Etsy Shop and at the Kansas City Regional Quilt Festival in Overland Park in June of 2023. If you make it, let me know and send some pictures.

Cheers!

Confessions of a Sassy Stripper

 I love doing trunk shows for guilds. It was so sad last year that so many trunk shows and workshops were cancelled due to Covid-19. I've done a couple of virtual trunk shows but I love being back in person with guild members (all masked-up).

This week I got to do an in-person trunk show with the Silver Needles Quilt Guild in Salina, Kansas. It was so good to be back in the guild environment. Upcoming activities, community outreach, show and tell. It was all so familiar and wonderful.

My trunk show was called Confessions of a Sassy Stripper and was all about Jelly Rolls and projects with other strips.

While I was working at Mea Bernina, the owner came to me and asked me about hosting a jelly roll club - we decided to call it the Sassy Strippers. My mission was to come up with project and techniques that used jelly rolls and other types of strips.

Best place to start? The Jelly Roll Race, of course!

Years ago, the jelly roll race was really the thing. Its still a thing! within an hour (more or less), you have a cute quilt top ready for quilting for a baby, charity quilt, or lap quilt.  There is really a lot you can do with the Jelly Race quilt - leave it as is, insert a vertical strip, add appliques, and much more. The one I did was in black and white and I added a vertical strip with some red accents. I love it. It was simple, the colors are striking, and I could make it again and again.

So, we were off - now to dig deeper into Jelly Rolls and JR patterns. 

It used to be the Jelly Rolls were made from a single collection.
Collections tended to be larger and could more easily include 40 unique fabrics. Today, there are usually 2 or 3 of each fabric in a Jelly Roll because collections are smaller. My favorite Jelly Rolls are the ones curated by individual or shops - 40 fabrics that coordinate well, even if they are from different collections. I had the fun task of curating several Jelly Rolls while working at Mea Bernina.  

There are several (ok, millions maybe) patterns that feature Jelly Rolls. My mission was to develop original or locate free patterns that challenged the Stripper Club members. 

One of the early challenges I took on was a bargello quilt. I loved bargellos but never quite got the idea of sewing strips together, cuttings them into substrips, and then UNSEWING. It was the unsewing that really confused me. But after I did it, it was crystal clear. After experimenting with the size of the substrips and whether they go "up" or "down", I developed a pattern that used 3 exactly the same Jelly Rolls in rainbow solids. The resulting quilt I named Iz's Rainbow to pay tribute to Israel Kamakawiwo'ole and his version of Somewhere Over the Rainbow. I teach this technique in one of my workshops - its one of my favorites.

Continuing to look for challenges, I found a block and redrafted it to work with 2.5 inch strips. I call it Stop and Go because it requires the technique of partial seams. For this quilt I used a half Jelly Roll curated from a collection we carried at the time with the addition of some coordinating solids (don't ask, I forget the name of the collection, and its not available any more anyway. So sorry). The addition of a plus sign sashing really makes this quilt unique. 

These are just three of the quilts I've made with Jelly Rolls. I'm still experimenting with different techniques and projects - not just quilts, but bags, baskets, rugs, table runners, and art wall hangings. So many fabrics and projects to do! If you are intrigued by these patterns, you can download them from my Etsy Shop.

Curious about Jelly Rolls? Get one and get to work! It took me 98 minutes to sew and press my Jelly Roll race. 

On Your Mark, Get Set, GO!

 

Quilt Shows - A Boost of Inspiration

Quilt shows are one of the most inspiring events a quilter can experience. Quilts, classes, special exhibits, vendors, seeing old friends and meeting new ones - it all comes together at a quilt show. For me recently it was the Kansas City Regional Quilt Festival that meets every two years at the Overland Park Convention Center in Overland Park Kansas.

This show is the result of the combined effort of the members of 18 guilds from the greater Kansas City area. It is organized and run by a board of volunteers from the 18 guilds - each guild having an area of responsibility. This year was the third show and they seem to get better and better every year. I'm already looking forward to 2021!

This year, I viewed (very closely in some cases) the approximately 450 quilts in the guild showcase area, 100 quilts in the judged area, 40 quilts in the special exhibits, and the 7 challenge quilts. I took 4 classes, attended 1 trunk show, entered 1 quilt in the judged portion of the show, had 1 quilt appraised, volunteered twice to be a "White Glove" ambassador, sold opportunity tickets for my guild's raffle quilt, volunteered to support the quilt appraiser, shopped the vendors, and enjoyed the company of 2 good friends at a nearby hotel. I had an awesome time! The only thing I wish I had done now was to attend the Ricky Tims Concert, as Ricky is one of my favorite people, as well as a favorite quilter.

I'll write about my classes in separate posts, suffice it to say, I learned a bunch and met some great and inspiring teachers.

There was inspiration at every turn. One of the most inspiring corners of the show was Cindy Parry's special exhibit.

Cindy's exhibit was called Tohoku Daishinsai which means Tohoku Disaster. Cindy, who was born in Japan, was especially touched by the 2011 Tsunami and decided to translate her anxiety, sorrow, love and worry for the people of Japan into a series of  15 wonderful wall hangings.   
Cindy used multiple techniques in her wall hangings (which always makes my socks go up and down) as well as incorporating images from Japanese newspapers and her personal photographs.

Cindy's work inspired me in several ways - first of all is her technique and workmanship, secondly is that she was inspired by an event and turned her feeling into quilts, thirdly is that she worked in a series - with each wall hanging being different, but around a common theme.                      
 Cindy says that her profound sadness and obsessive thoughts about the devastation have lessened somewhat since she has completed the quilts and traveled twice to the affected area (in addition to her annual trips to Japan). Other quilters have indicated to Cindy that they too have made meaningful quilts that helped them heal from their own private suffering.

A final thought (for now) from Cindy - "I think my best quilts are those that mean something to me. I think that most any subject when carefully considered, has many aspects and angles from which the story can be told. From those, a series can be born." Food for thought as I consider my quilting going forward. I see some series in my future.
   
Didn't see her exhibit at KC Regional Quilt Fest? No worries. Cindy's exhibit will be at the Starlight Quilters Guild on August 27th. Can't make that meeting? Check out the Japan Festival at Johnson County Community College on October 5th.

If you would like to bring Cindy to your guild or organization for a presentation on her quilts, please contact her at idyllways@aol.com. She spoke at our guild and I was riveted. 

Keeping it Curious about my sister quilters and what inspires them.

  

50 Quilts From 50 States - Missouri

My Journey To Missouri

I'm continuing my journey to and through all 50 States - but I'm not going that far - just a bit more than 30 miles to Missouri.
There is quite a rivalry between Kansas and Missouri. Some believe it goes back to pre Civil War time (1850s) of open violence between pro-slavery Missouri and free state Kansas. Now its known as the Border Wars and is all about sports and Universities. KU - Mizzou. I have to admit - I pay ZERO attention to sports. Sorry loyal KU Basketball friends.

My travels usually include an East-West road trip along I-70. My In-Laws used to live in Kentucky and I've driven east many times for a holiday visit. A quick detour off I-70 leads you to Hermann - and the wine producing area. Missouri also has the beautiful Ozark area, with Springfield and Branson. Its a wonderful vacation spot.

I'm not as in to quilting history of Missouri as I am in to the history of Kansas.  My guess is that it as a neighbor state, it is quite similar. But what Missouri has that Kansas doesn't is Quilt Town USA - Hamilton Missouri, home of the Missouri Star Quilting Company.

Guilds and Shops in Missouri
The Generations Quilt Patterns website says there are 55 Guilds and 126 shops in Missouri. Good thing my goal isn't to visit every shop - I've only been to about 5 or 6. One of my favorites is Jackman's in St Louis. Every time I drive across Missouri to the East, I try to stop at Jackman's. They have a really nice selection and super helpful staff.

I've also been to shops in Hannibal, Springfield, Cameron, Liberty, Columbia, and I'm sure I'm forgetting some.

Missouri is also home to some big names in the quilting biz - Angela Walters, Tula Pink, Carl Hentsch, Jacquie Gering, and of course Jenny Doan - again, I'm sure I'm forgetting someone.

However, the biggest draw for quilters in Missouri is Missouri Star Quilting Company in Hamilton. Its probably the most famous quilt shop in the country. It's also known as Quilt Town USA.

Jenny Doan and her family have invested in the small town of Hamilton, the birthplace of JC Penny, and have revitalized the small town by renovating old commercial space and installing quilt shops in them. Currently there are 12 shops - the main shop, forals, 30s, batiks, kids, reproductions, holiday, modern, solids, themed fabrics, machine shop, as well as meeting and retreat areas, and a "men's" waiting area. It's a great story and you can read more about MSQC and the Doan family here.

The Inspiration
Missouri Star is by far the best known quilt shop in Missouri, maybe in the entire country, and is therefore my inspiration for this project. MSQC's logo is the Missouri Star block.
So what better block to use in my Missouri Quilt?

The Missouri Star Block can be found in several quilt pattern books including Barbara Brackman's Encyclopedia of Pieced Quilt Patterns. Nancy Cabot of the Chicago Tribune named this block in 1933.

The Quilt
OK, so a Missouri Star block - but 1 big one? Three in a table runner? A bunch in a full size quilt? I want to do something different than just a block  - so in comes a cool technique. Selvages. I've been collecting Pins on Pinterest of all kinds of quilts made with selvages. They are so interesting looking. 

I've been collecting selvages for a couple of years now, so I have quite a collection - good thing because I'm using 3 colors - orange, teal, and purple. 

When I cut the selvages off fabric, I try to cut about an inch of fabric with the selvage, this gives me the interesting selvage and a snippet of the fabric for color.  I found it best to sew the selvages down onto a foundation - a muslin or paper, or for this project I used Ricky Tims' Stable Stuff. 

The pattern is available to order as a hard copy, or as a download from my Etsy Site. So check it out!

I

50 Quilts from 50 States - Kansas

My Journey to Kansas

I think it is fitting that my quilting journey through our 50 United States of America should begin in my current home state of Kansas. At this point, I have no idea how long it will take me to make my journey, to design the quilts, to make and photograph them, and write about the journey. But they say that a journey of 1000 miles begins with the first steps. Kansas is the first step.

The first time I came to Kansas was in 1988.I traveled from Germany where I was stationed with the US Army to Fort Leavenworth for a 3 month course. Kansas was not at all what I expected - I guess the Wizard of Oz is not representative on Kansas!

Since it was a long course I got to ship some baggage. I wanted to make something for my young son AJ, so I brought my sewing machine with me. I started an applique transportation quilt - tractors, trains, airplanes, cars, bicycles. I visited the local quilt shop in Leavenworth - which is closed now, and bought fabric. I don't remember where I got the pattern. The result was a disaster. I didn't know to stabilize the fabric when doing satin stitch applique and I couldn't get my stitches even. It was my first UFO - I never did finish it.  But my quilting journey had begun.

Guilds and Shops in Kansas

Kansas is where I was fully launched into the quilting life - helped along by the Kaw Valley Quilters Guild and local shops.  The Generations Quilt Patterns website says there are 33 guilds and 81 shops in Kansas and I happen to belong to one of the best guilds and shop at some of the best shops.

 I live in Lawrence, where we have three great shops: Mea Bernina and Babylock, Stitch On Needlework, and Sarah's Fabrics– each very different from each other. Within an hour’s drive there are 6 more great shops.  I’ve probably been to about 20 shops altogether.

       

Both guilds and shops are great places for information and inspiration. I love taking workshops and closely follow class schedules from nearby guilds and shops.  What a bounty!

The Inspiration
This is my first official foray into quilt designing. For my Kansas quilt I decided to take a bit of a journey back in time and learn a bit about the quilt history of Kansas. While looking through Barbara Brackman's book Encyclopedia of Pieced Quilt Patterns, I noticed that there are several blocks named for Kansas. This encouraged me to dig a little deeper. What about a sampler quilt? Boring. Been there, done that. How about a sampler quilt with a bit of a different setting and up to date fabrics? OK, this is sounding fun.

The Quilt

Kansas Goes Modern – A Modern Sampler. I did this quilt in Grunge by Moda for a modern look. It was beautifully quilted by Sandra Morgan Cockrum, and is  68” x 72”. The pattern is available on my Etsy site.

In addition to learning about and using Kansas Blocks, I wanted to try various techniques in this quilt – piecing, applique, foundation piecing, and English Paper Piecing. I think that makes it a good learning quilt.

Kansas Star

The Kansas Star is a traditional quilt block pattern that's also known as Eight Points Allover.  Quilt historians are not sure, but the name Kansas Star may have been tagged onto the Block by the pattern writers at the Kansas City Star.  What makes it a traditional Kansas Star are the fabric choices and placement.  Traditionally the Kansas Star Block was colored so that an 8 pointed star was clearly visible radiating from the inside of the Block, with a high contrast between the star and the background fabrics adjacent to it.

Kansas Troubles

A bit of History from Barbara Brackman's Blog - http://civilwarquilts.blogspot.com/2011/01/5-kansas-troubles.html

For years the Kansas territory had petitioned Congress for statehood, but Southern politicians refused to add a new free state in the West. After Southern Senators walked out of the Senate Chamber, the remaining majority finally had the votes to create the 34th state of the Union.

In 1861 as Kansas was being admitted into the United States, Kansans (free white men in Kansas) could vote on whether to be slave-state or free-state, a process that encouraged activists on both sides to use voter fraud and terrorism to advance their agendas. The territory became known as Bleeding Kansas.

This quilt block goes back to the time of the Kansas Troubles, but we have no idea what women called the design then. The pattern name appears in print about 1890. It doesn't matter how many little triangles there are; it's the rotational repeat that makes it a Kansas Troubles Block.

Rocky Road to Kansas

Rocky Road to Kansas was published in the Ladies Art Company and was in print in 1895, and possible as early as 1889,

Occasionally, quilt blocks were names after the time or event when they first appeared, I imagine Rocky Road is such a block. Referring to the period on the late 1880's and the difficult traveling conditions women experienced.

Kansas Beauty
In Quilt Kansas! Jean Mitchell writes that this block was designed by Miss Roberta Christy of Scott City for the Kansas City Star and came out February 22, 1936. Fieldguidetoquilts.com indicates that the instructions specified a white center and alternating light and dark colors.

Kansas Beauty is one of those Blocks that creates an interesting secondary pattern when multiple blocks are put together.

Kansas Sunflower

The sunflower (Helianthus) was adopted as the Kansas State Flower by the legislature in 1903. I found several sunflower blocks patterns that had "Kansas" attached to it, but since I want to incorporate several different techniques in this quilt, I decided to use an English Paper Pieced Dresden Plate type sunflower for this block.

Kansas Dugout
This block goes by many names - Xs and Os, Indian Hatchet, Five Crosses, Lattice Block, and Church Windows to name a few that I found.

This block is a very simple one - just an elongated hexagon and 2 triangles. It's one of those blocks that doesn't look like anything until you put a bunch of them together. So this quilt includes 16 Blocks so we can really see what the Kansas Dugout Block can do.

I found pictures of antique quilts made from the Kansas Dugout Block – some had the middle Block all one color, others had the elongated hexagons in one color. You could hardly tell it was the same Block. Also it looks really different if it’s on point.

This Block can be made many ways. Some techniques call for templates, set in seams, making strips and then cutting out the Blocks. The technique that I am using is the “sew and flip” technique. It does waste a little more fabric than some other techniques, but I think it’s the easiest.

Kansas Dust Storm

Kansas Dust Storm is Block #3596 in Barbara Brackman's Encyclopedia of Pieced Quilt Patterns. This pattern designed by Alva Ryan of Scott City was published in the Kansas City Star in December 1935, during the Great Depression  and the Dustbowl was families needed to make use of every scrap of fabric they had. So this Block is representative of an important era in the history of Kansas as well as the history of quilting.

Kansas Twister

This block seems particularly pertinent for Kansas. There were 60 tornadoes in Kansas last year. Luckily here in Lawrence, we usually get passed over. This block has also been called Texas Trellis or whirligig Hexagon. Here we have another block that looks ho-hum singally and fantastic when put together with multiple Twister blocks.

Kansas

The Bill admitting Kansas to the Union was signed by President Buchanan on January 29, 1861. Today we still celebrate January 21 as Kansas Day. Hearth and Home was a popular farm magazine in the early part of the 20^th century. They ran a series of state Blocks between 1907 and 1912. This is the Hearth and Home Kansas Block.

I used Grunge by Moda in the sample quilt, which was beautifully quilted by Sandra Morgan Cockrum. 

This first quilt in my 50 Quilt Journey was educational and fun for me to design and make. I hope you have enjoyed reading about my journey. If you're encouraged to make Kansas Goes Modern, visit my Etsy site to order either a hardcopy of the pattern, or a download. 

Curious about my Journey? Stay tuned for State number 2!

Kansas Goes Modern - A Technique Quilt

Last year I had the privilege of designing the BOM for the Kaw Valley Quilters Guild. Our guild offers a BOM every year and I had always wanted to write a pattern  . . . so I volunteered. Occasionally I like to challenge myself, and man oh man, this was a challenge.

I don't remember when and how the idea came to me, but I wanted to do a quilt with Kansas named blocks.  These blocks usually have a  traditional feel, which is not really my style. So, I decided to give them a bit of a twist by using modern fabric - Grunge by Moda -  and a non-traditional layout. Hence the name - Kansas Goes Modern (KGM).


I also wanted to learn a little more about the quilting history of my adopted state of Kansas. I am not a quilt historian, but it was fun to learn about the history of each of the blocks. Much of the information came from Barbara Brackman, a member of our guild and a nationally known quilt historian.

Since I get really enjoyment from learning and teaching, I decided to throw some interesting and varied techniques into KGM. So I included pieced blocks, English Paper Pieced blocks, foundation paper pieced blocks, and applique blocks. 


So, the blocks - all with Kansas in the name:
     Kansas Star
     Kansas Troubles
     Kansas Dugout
     Kansas Beauty
     Kansas Twister
     Kansas Dust Storm
     Rocky Road to Kansas
     Kansas Sunflower
     Hearth and Home's Kansas 

After getting it all assembled, I asked the wonderfully talented Sandra Morgan-Cockrum to quilt KGM. She did a terrific job with lots of custom designs, ruler work, and swirls.

Now, after releasing one block a month and three months of assembly instructions, I am putting everything together in a pattern that will be available for purchase in the next few months (one of my goals for 2018). I am so excited about this. I have to get some good pictures taken and put the finishing touches on the pattern - but I'm almost there!

My next steps are to take KGM on the road as a workshop or series of classes. So, if you are interested in making KGM in class, please let me know. Hopefully it will be coming to a shop or guild near you!

Curious about Kansas quilt blocks? Check out Kansas Goes Modern!

Quilting Goals for 2018

I looked back to see if I wrote about my goals for 2017. I couldn't find anything. I did write about the new BOMs that were tempting me. Want an update? 

Overbrook Sister Sampler BOM - almost up to date.

Halo Medallion - completed up through month 3.

Down the Rabbit Hole - completed through month 2 but put away (for awhile, maybe forever).

Murder Mystery - I still don't know who dunnit, but I've completed through month 3.

Perpetually Hexie - Haven't even started. But I have all the papers!
Not a great completion rate, but I AM a BEGINNING QUILTER - I love to start projects. I'm at 80% for starting - pretty decent!

So, In an attempt to get some accountability with my goals, I figured I'd let you all know what they are - that way, when you see me you can support (embarrass) me by asking how I'm progressing on whatever project.

So, here they are - my possibly non-realistic 2018 goals.
1. Work on my quilts in accordance with my rotational system - don't skip stuff! Try to get through the entire rotation each month.

2. Post a blog post every other week - unless my friends tell me they want more. I'd also love to see more of your comments on the blog. So, if you've read this far, please send me a comment in the comment box below.

3. Prepare a trunk show and workshop for local/regional guild programs.

4. Publish my pattern for Kansas Goes Modern.

5. Design and make 2 quilts from my 50 Quilts From 50 States series.

That will keep me busy for sure. Perhaps I should do an update several times throughout the year. Oh, and please ask me how I'm progressing when you see me!

Keeping It Curious in 2018!

An Idea For My Magnum Opus - 50 Quilts from 50 States

I have imagined a project - epic in scope, my Magnum Opus, my masterpiece. I have even started collecting fabric and writing notes. 

50 Quilts from 50 States.

This project combines my love of quilting, color, techniques, travel and designing. Inspired by the landscape, culture, historical tradition, colors and people of each state. Each one featuring a different technique - well maybe not each one, cause that's 50 different techniques, but lots of different techniques.

One of my goals this year is to start getting these ideas to come to life - getting them out of my head and onto paper and fabric. So I thought my blog would be a great place to start. 

So my commitment is to get at least 3 state quilts designed, written and made this year. I'm not sure exactly where to start as I have notes and ideas for about 12 state quilts. 



I will probably start with Washington - I've already written about my visit and my favorite shop there. Unfortunately my favorite place is no longer there. Island Quilter on Vashon Island is now only an internet store. You can still order great fabrics from them and see them occasionally at shows and expos, but the ferry trip to Vashon to visit in person is sadly not the same. I am planning a cityscape of Seattle from the perspective of the ferry coming in from Bainbridge Island at sunset. Breathtaking!

I'm thinking I should also do New Hampshire. Saul and I traveled there in 2015 and I have in mind to do a bargello quilt with all the beautiful autumn colors. I just learned how to do bargello quilts this year and I think it would be a great technique to include.

The third state I think will be either Arizona or New Mexico. I've driven there several times to visit my Mom and experienced some beautiful scenery along the way. One area that is particularly striking is Antelope Canyon. I haven't seen it in person, but love, love, love the pictures. Can't you just envision small strips of rich batiks, embellished with yarns and other materials?

OK, I've got to get crackin'. Its April already!

Magic Squares - Thank You Sara Chappell

So, I have my guild friend Sara Chappell to thank for my increasing stripe stash. Stripes are wonderfully versatile - they make great bindings, an accent fabric, or borders. But my favorite way to use stripes is what I call magic squares. I'm not exactly sure where that name came from, but I do think its's absolutely MAGIC!

There is more magic if the stripped fabric is wild and doesn't repeat too often. Two color fine stripes don't make any magic at all.  Stripes with multiple colors, sizes, and shapes make wonderful magic!

Here is how the magic happens - 

• Layer 2 layers of matching fabric - matching so that both layers are identical (sort of like a stack and whack)
• Cut a strip any size you want depending on how often the stripes repeat - anywhere from 4 to 6 inches wide and at least twice as long.
• Cut the strip into squares
• Draw a line diagonally from corner to corner.
• Sew a seam .25 inches from the each side of the line.
• Cut apart on the line. Press
• You should have 2 matching half square triangles.
• Make 2 more if you want 4 for a square.
• Keep making more, using a different cut of fabric so that your squares are not all the same.

They can be put together in squares or partial squares like I did, or in rows, or randomly.

I've only made 1 so far and it sold at an arts and crafts fair, so I am dying to make some more and play with different layouts.

I'm curious about what you do with your striped fabric! Let me know.