This BOM, the first by Quiltworx, is Candy Coated Snowflakes. And its really KEWWWWELLLL!

I started this lovely BOM in 2019 or maybe the beginning of 2020. I'm a little  confused because I started making it in 2019 for Mea Bernina in bright batiks, and then started it again in my colorway in 2020. In any case, I have finished the seventh snowflake (I think my favorite) so I can see the end in sight - except for about a million flying geese.

This has been a really fun project, filled with fabrics I don't normally use like sparkly metallics, white tone on tone, and light grey geometrics. I guess mine don't have candy - I wanted them to look more like Snowflakes.  I'm using a rich dark blue from Stof Fabrics for the background. And I added some of the blue background into the snowflake so they look more like flakes than inset circles.

Like all (most?) of the Quiltworx patterns, Candy Coated Snowflake is foundation paper pieced.  The snowflakes look like they are inset circles, but Judy and company (her family) cleverly designed the snowflakes with 6 templates that attach to the 6 flake points, so it all goes together so easy. Then a small-ish circle is appliqued to the center. My seventh snowflake doesn't have the center circle yet. What color should I use? Opinions?

So the next time this comes up on my project rotation, in about a month, I'll start the flying geese border. Fun, Fun, Fun!

Curious about Candy Coated Snowflake (with or without the candy)?  Check out the Quiltworx website. I hope they do another BOM this year,

 

50 Quilts from 50 States - Oklahoma

 I didn't finish as many of my 50/50 quilts as I had planned - life really took a turn in 2020. But I did finish OKIE DOKIE my Oklahoma quilt.

In the past, Oklahoma has been a state I drove through to get somewhere else, or the place I met my kids' Dad for a handoff so that they could visit him in Texas. But as I started to explore different parts of the state I learned there's so much more. I really love the red dirt peaking through the rolling hills. 

Route 66 runs right through the state, so that was the inspiration for the quilt. It was established in 1926 and was one of the original highways in the US Highway system.  I like to imagine a young family driving Route 66 in the 1930's on a little adventure from Chicago to Los Angeles. 

The centerpiece of the quilt is a colorful tea towel I got at an Oklahoma rest stop and information center on Interstate 40 on my way to Arizona a couple of years ago. It lent itself perfectly to a quilt with 30s reproduction fabric. OK, an idea was starting to coalesce.

Traditional quilt blocks, a Route 66 sign, and a sillouette of the End of the Trail statute found in the National Cowboy museum, combined with the Oklahoma tea towel  - this is going to be a cute quilt. 

My friend Patti Pearce makes a lot of quilts with vintage linens, so she was the perfect person to quilt this. She did a fantastic job.

I've written a pattern for OKIE DOKIE and its available in my Etsy Shop. I love that my adventure is continuing state by state. 

Curious about Oklahoma? Check it Out!

A New Quilt From Start to Finish - Chapter 8 Assembly

It's done! SQUEEEEEEE. Well, the top is done. So I'll call it done for now.
I started this baby at Quiltworx University in Bakersfield in 2018. Now as I'm packing for Quiltworx 2019 at Tanque Verde Ranch in Tuscon Arizona, I am so pleased that I can take this top with me and show it off.  
If you look at previous posts, you can see my progress from the planning stages, to the first cut, to the paper piecing sections, and the borders, and now to the last stitch (well not the very last stitch - it still has to be quilted and bound of course).
Assembly was not a quick, easy thing. There were LOTS of points to match to get this thing together. Also - it seems flat, but only my long arm quilter will know for sure. 
The beauty of Judy's patterns (one of the beauties that is) is that once its done, you look at it and wonder "How did that go together?" She is a genius that way - Sections, Baby, Sections!
So, here are some tips for putting together large, complex sections into one larger, complex quilt:
1. Don't wait til the whole quilt is together to pull papers, trim threads and press. Give your self a break and do it by sections. Ask me how I learned that one (grin)! 

2. Use glue, pins, and sew basting to get those important points to match.  I finally used sew basting to match it up - I increased my stitch length and just sewed just the areas that really needed to match. Even then, I needed to do some unsewing and re-basting. But once they did match, I sewed the whole seam again with a regular stitch length.

3. Be careful of bias edges. Judy does a lot in the design and fabric layout and cutting instructions to help you tame those bias edges. But there are still some stretch that you need to be careful of. I used a lot (a whole 16oz bottle!) of Best Press to keep my edges from stretching. I think it really helped me match my seams.

4.  This is a big (queen size) quilt, so when I was sewing the last few seams, it began to get a bit unwieldy. So I added a small portable table behind my machine to hold some of the weight so it didn't pull as I was going for that accurate quarter inch seam.

I am so happy with California Cat Tails. I am bringing it to Quiltworx University, and hopefully there I can send it home with a longarm quilter who can really make it shine. 

The next post will be the finale for this series - California Cat Tails quilted and hanging - maybe in a show. 

P.S. I did take this to Tanque Verde. It did not go home with a quilter, but I came home with a contact to send it to.

A New Quilt From Start to Finish - Chapter 7 Curved Seams

I am getting close to being done with California Cat Tails. Check out previous posts in this series - A New Quilt From Start to Finish. In this post, I'll show you how Judy has us sew sections together - especially sections with curved seams.

After doing the paper piecing, you have to trim the pieces on the final cutting line. Sometimes they have a curved edge - a straight ruler really doesn't work too well on a curved edge! So I turn the ruler over so the sticky bits are up (not against the fabric) and I turn the ruler as I cut. It takes a bit of practice but really works great, Judy does it freehand, but I find the pressure of the ruler on the paper and fabric gives me a more accurate cut.

There are a couple of tips that lead to successful curved piecing:

1. Transition Reference Points (TRPs). These are points used to match the sections - much like those notches we cut in our middle school sewing class. On some of the pieces, you sew through the paper and fabric using a basting stitch - when you have one template for each fabric. For the pieces for which you have only one template for a stack of fabrics, you have to mark them first and then sew. I have found the best marking tool is the Sewline Trio. It has a fine erasable chalk lead in 3 colors - grey, pink and white. 

2. Smile over Frown - when you put the pieces right sides together flip them so that you are looking at the"smile". It is much more likely to sew without puckers if the smile covers the frown. 



3. Match and Glue - match the ends (which have been trimmed with "smart corners") and the TRPs. Use a dab of fabric glue pen on these points and then ease the in betweens glueing as you go but making sure not to stretch the fabric, which is usually on the bias.



4.  Double S Curves - sometimes, you have to sew the curves in 2 parts so that in each part the smile is on top. Usually there is a TRP where the curve changes. So you sew from the end to the TRP, then flip the pieces over and sew from the TRP to the other end. Magic, Presto, its done! 

So now I have the 4 quarters put together. I think they are pretty good looking if I do say so myself. Thanks to Quiltster I could audition the fabric before I even started cutting!

Curious about how it will look all assembled and quilted? Stay tuned.

50 Quilts From 50 States - Missouri

My Journey To Missouri

I'm continuing my journey to and through all 50 States - but I'm not going that far - just a bit more than 30 miles to Missouri.
There is quite a rivalry between Kansas and Missouri. Some believe it goes back to pre Civil War time (1850s) of open violence between pro-slavery Missouri and free state Kansas. Now its known as the Border Wars and is all about sports and Universities. KU - Mizzou. I have to admit - I pay ZERO attention to sports. Sorry loyal KU Basketball friends.

My travels usually include an East-West road trip along I-70. My In-Laws used to live in Kentucky and I've driven east many times for a holiday visit. A quick detour off I-70 leads you to Hermann - and the wine producing area. Missouri also has the beautiful Ozark area, with Springfield and Branson. Its a wonderful vacation spot.

I'm not as in to quilting history of Missouri as I am in to the history of Kansas.  My guess is that it as a neighbor state, it is quite similar. But what Missouri has that Kansas doesn't is Quilt Town USA - Hamilton Missouri, home of the Missouri Star Quilting Company.

Guilds and Shops in Missouri
The Generations Quilt Patterns website says there are 55 Guilds and 126 shops in Missouri. Good thing my goal isn't to visit every shop - I've only been to about 5 or 6. One of my favorites is Jackman's in St Louis. Every time I drive across Missouri to the East, I try to stop at Jackman's. They have a really nice selection and super helpful staff.

I've also been to shops in Hannibal, Springfield, Cameron, Liberty, Columbia, and I'm sure I'm forgetting some.

Missouri is also home to some big names in the quilting biz - Angela Walters, Tula Pink, Carl Hentsch, Jacquie Gering, and of course Jenny Doan - again, I'm sure I'm forgetting someone.

However, the biggest draw for quilters in Missouri is Missouri Star Quilting Company in Hamilton. Its probably the most famous quilt shop in the country. It's also known as Quilt Town USA.

Jenny Doan and her family have invested in the small town of Hamilton, the birthplace of JC Penny, and have revitalized the small town by renovating old commercial space and installing quilt shops in them. Currently there are 12 shops - the main shop, forals, 30s, batiks, kids, reproductions, holiday, modern, solids, themed fabrics, machine shop, as well as meeting and retreat areas, and a "men's" waiting area. It's a great story and you can read more about MSQC and the Doan family here.

The Inspiration
Missouri Star is by far the best known quilt shop in Missouri, maybe in the entire country, and is therefore my inspiration for this project. MSQC's logo is the Missouri Star block.
So what better block to use in my Missouri Quilt?

The Missouri Star Block can be found in several quilt pattern books including Barbara Brackman's Encyclopedia of Pieced Quilt Patterns. Nancy Cabot of the Chicago Tribune named this block in 1933.

The Quilt
OK, so a Missouri Star block - but 1 big one? Three in a table runner? A bunch in a full size quilt? I want to do something different than just a block  - so in comes a cool technique. Selvages. I've been collecting Pins on Pinterest of all kinds of quilts made with selvages. They are so interesting looking. 

I've been collecting selvages for a couple of years now, so I have quite a collection - good thing because I'm using 3 colors - orange, teal, and purple. 

When I cut the selvages off fabric, I try to cut about an inch of fabric with the selvage, this gives me the interesting selvage and a snippet of the fabric for color.  I found it best to sew the selvages down onto a foundation - a muslin or paper, or for this project I used Ricky Tims' Stable Stuff. 

The pattern is available to order as a hard copy, or as a download from my Etsy Site. So check it out!

I

My Favorite Designers - Chapter 6 Jacqueline DeJonge

You probably know by now that I'm in love with intricate, sophisticated, and technically difficult quilts. One of my favorite designers designs quilts that totally fit this description - Jacqueline DeJonge of BeCorlourful Quilts.

Jacqueline lives in Delft in the Netherlands. When I first met her, she was still working a day job as an office manager in a medical practice. Now she is a full time designer, teacher, and quilter. She is very soft spoken, but don't let that fool you - she's got lots to say!

So far I have taken 3 workshops from Jacqueline and hope to take many more. Even before I took workshops, I bought my first BeColourful Pattern - The Colourful Quilt. It was waaaay over my head (6 star difficulty). I still have the pattern and fabric that I started collecting to do it. One day . . . 



So I started a little more realistically - I took a workshop down in Dallas about 5 years ago. I bought the Circle of Life kit (only 4 star difficulty) so I wouldn't have to obsess about getting just the right fabric to achieve the rainbow effect. Unfortunately my hubby had a health incident and I had to rush home on the first day. Obviously I didn't get far on the quilt but I was hooked. 

So, about 3 years ago, I learn Jacqueline is coming to Kansas! WhaHoo! I talk my friend Bobbie into coming to visit from Seattle and take the workshop with me. Quilting on the Square in Holton Kansas is our host.  I decided to keep working on Circle of Life.  I got the center star and spikes done. I picked up a few more tips from Jacqueline. One of the best is her idea of a supplementary quarter inch seam allowance. Her technique is to do the piecing with an extra seam allowance and then when its all together, you trim the piece up to a quarter inch. And, guess what? I added several more patterns to my collection. 

In the last 3 years, my BeColourful Quilts sort of took a back burner. I knew I could do it, but I think I just had a bit of a crises of confidence. I was angsting about how to use the fabrics so that the colors flow. Ok, so no progress, but I did add a few more to my pattern collection (grin).

So, fast forward to June 2018. Jacqueline is back in Holton! My friend Kim and I signed up and this time I decided to do one of Jacqueline's new patterns. Infinity (another 6 star difficulty) is based on her award winning quilt from 2013 quilt called Celtic Fantasy. This one has lots of piecing techniques - matching marks, inset seams, supplementary seam allowance, inset circles and more. I tried a new fabric management system this time - instead of using ziplock bags, I put the 24 color wheel fabrics in hanging file folders in a portable file box. It worked really well for me.

Quilting on the Square in Holton was a great host and has a great classroom space. Of course, I added a few more patterns to my collection. I am hoping Jacqueline comes back to Holton next year. I highly recommend Jacqueline's patterns and workshops. You'll be challenged, but you'll learn a lot and enjoy getting to know Jacqueline. I'm looking forward to the next workshop.

A New Quilt From Start to Finish - Chapter 6 Borders

I started this quilt, Cattail Mixer (more creative name to come), last February at Quiltworx University in Bakersfield. I've been posting each step along the way from Design and Coloring on Quiltster, to Assembly Line Paper Piecing, completing the Center Star, and Appliqueing the Cattails. I am closing in on completing the final papers. Then starts the last chapter - assembly.

Since this quilt is a mixer, I got to choose from several different borders. There is an inner border, an outer border, and the outermost border. All the borders have millions of pieces! Last week I was at a retreat at Quiltworx in Somers Montana, and I spent some time (lots of time) doing border pieces.  I got really good at assembly line paper piecing. I keep thinking I ought to count the pieces in case I want to give a smart a** response when someone asks me how many pieces are in the quilt. I still might do that.

I put part of the outer border together to get an idea of how it was going to look, and I think it rocks! Now I just have to assemble more border sections and then work on the outermost border. Borders, Borders, Borders!


I'm getting close, I can almost taste the final assembly. I love the mixer quilts and can't wait to start another one - after I finish this one (she says, with her fingers crossed).

My Favorite Designers - Chapter 5 Karen K. Stone

Every designer brings something new and different to my toolbox.  I've been highlighting my favorites in no particular order of wonderfulness, but rather, as I encounter them. Last month Karen K. Stone visited the Kaw Valley Quilters Guild. Wow, what a program!

My introduction to Karen came many (10?) years ago when I took a class at Quilter's Haven in Olathe. The class was Karen's Cinco de Mayo - a fantastic, somewhat chaotic New York Beauty. This class fueled my search and collection of wild, colorful fabrics. These fabrics are part of my daily round now, but back then they were way outside of my comfort zone. 


Cinco de Mayo is made of a series of blocks using the New York Beauty block - all of them varied in terms of the number of points and bands.  This is not mine - I only have the first two rows done (yeah, I know I started it 10 years ago). But isn't it beautiful! I love the variation in the size and number of points.

My next close encounter with the force of nature that is Karen, was a class at the first Kansas City Regional Quilt Festival. I am an EPP fan and she was teaching EPP by machine. It was a challenging technique for me because I balk at a lot of prep work - and this technique took a lot of prep. It's a good tool to have in my kit, but I haven't used it yet.


This brings us to the present - well, last month, when Karen came to our guild. She is a dynamo of a speaker - I've love to get a little of her energy. The story of her quilts was mostly about color and value. It made me think about not being so matchy-matchy with my color schemes. 

For the workshop after the talk and trunk show, Karen choose "Wild Women Don't Get the Blues" as the pattern. I choose Tula Pink's Raccoons for my focus fabric. I thought those little guys would be so cute surrounded by the colorful star points. After I took this pic, I added a black and white striped flange between the raccoon and the star points. I really liked it but i was a lot of work. So now I'm looking for something similar but easier. Or maybe I'll just leave it as is. Hmmmm Dilemma!

Curious about Karen? Look for her workshops and programs. She is a bundle of positive, quilting energy.

A New Quilt From Start to Finish - Chapter 4 Assembly Line Foundation Piecing

Wow, its been quite a week with the Kaw Valley Guild's Quilt Show. The Show is now behind us and I am catching up with housework (yuck) and sewing (yeah). The show was a success by many standards. A lot of hard work by many people and also great fun and inspiration. 


So, now that I am a bit caught up, I can work on my Judy Niemeyer Cattail Mixer. In previous chapters I designed and colored the quilt on Quiltster, and prepared the papers and fabrics. In this chapter I am working on one series of cattail sections. One of the best features of Judy's quilts is her method of assembly line sewing.


Actually, it should be assembly line sewing, pressing, folding, and trimming. Because the mantra here is "what you do to one piece, you do to all pieces". For Judy's patterns that could mean 4 pieces, all the way up to a hundred  - on the border for example. In this case I have four sections.

For those of you who have done foundation piecing before, this is pretty much the same method. What is different is that you do several at the same time. 

The first step is to lay out all your pieces that you prepared in Chapter 3. I aligned them in the order that they will be sewn with the "sew side" towards the top. In this case, I had 11 pieces of background and cattail leaves. 



When doing foundation piecing, you should reduce your stitch length so that the paper is easier to tear off. Its a bear to rip out if you make a mistake though . . . curse words have been heard coming from my studio. Judy recommends 1.6. So I adjust my trusty Bernina and I'm ready to go.




Following the "do it for every piece" method, I lined up the first 2 pieces of fabric on each of the 4 papers.  The beauty of foundation piecing, is that you just have to be able to sew on the lines. You get perfect points on difficult patterns just by sewing on the lines. I sew on line 1 four times. By the forth time, I really know that line well. Practice makes perfect!


Second step is to press the seam open - yes, 4 times! I sometimes use getting up to the ironing board as exercise (don't tell my trainer Zach), but this method saves those trips. I iron all 4 papers at the same time. I guess I'll have to do real exercise instead.




Step 3 is to fold the paper back and trim the excess fabric away. Judy recommends a long piece of template plastic because you can get a good fold all along a long paper. Using an "add-a-quarter" ruler butted up against the template plastic gives you a nice straight cut edge. 


Now you do it again with the next piece of fabric, then the next, and next, sewing on lines 2 through 11 - you get the picture.  I now have 4 raggedy papers, so obviously there are still a couple of steps left. 





Step 4 is to sew the registration lines using a basting stitch. This is one of the brilliant features of Judy's patterns. The registration lines help you put the sections together. This section has 3 registration lines on each piece.


Now the last step, the fun part that really gives me a feeling of accomplishment - trimming the papers on the outside cutting line. If the lines are straight, I use a ruler. If they are curved I do it free hand. 

So now I have 4 left side cattail sections complete. In this pattern there are a total of 4 different sections - 2 corner sections (left and right) and 2 center sections (left and right). As soon as I complete the 4 right side sections, the cattails will be done and I can move on to the inner border. The cattail sections include some applique stems and cattails which I'll address in the next chapter.

Keeping life curious with Judy Niemeyer!