My Favorite Designers - Chapter 2 Ricky Tims

I jabbered all through dinner with my family about Ricky Tims' Luminarium that I just got home from. I'm full of wonder and speechless too. Full of ideas and inspiration. Full of gratitude for Ricky's generosity - he is willing to share all he has learned. His story, his music, and his quilts.



In addition to yards of gorgeous hand-dyed fabric and music CDs, I came home with a complete and useful syllabus of all Ricky's techniques. I'm psyched. I want to try it all - and Ricky knew I would. His last words to the 175 of us in the audience (although I was in the front row and I thought he was talking just to me), was to go home and before we start something new, we should finish something. I've got some binding to finish, so that should fit the bill.

OK, so why is Ricky one of my favorite designers? Let me count the ways!

• The Quilt Show - I've been a subscriber for many years and I love it. I've started/done 4 BOMs and I really enjoy the shows.

• Patterns - or rather I should say techniques, that lead the quilter through a process to design beautiful one of a kind quilts.

• Hand-dyed fabrics that look like suede and have a wonderful hand to them.

• Ricky Tims' Stable Stuff Poly. A very versitile leave-in stabilizer.

• Ricky Tims' Razzle Dazzle thread by Superior. This eye-catching thread is great for bobbin play and couching.

• Music that both soothes and elevates the soul.

• He is nice, generous, talented. Oh, and by the way, soooo cute.

I've made one of Ricky's Convergence Quilts. I call it Kaffe Fassett meets Ricky Tims. I used Kaffe's fabric with Ricky's Convergence Pattern. It really is an easy pattern with lots of impact. I can see lots more of these in my future. I bought some of Ricky's hand-dyed fabrics that will look great in this pattern.

My next Ricky technique will be the Kool Kaleidoscope. I'm going to start this one in April when things slow down a bit and I finish a few things. I'm also getting on the list to go to LaVeta in 2019 for a small group retreat with Ricky. Can't wait!

The quilts, fabrics, and music are spectacular. But the real impact comes from his inspirational words and ideas: time is precious, carpe diem, quilting should be fun, know yourself, if you want to be a quilter - then get out there and just do it.

If you have a chance to go to one of Ricky's workshops, lectures or retreats, run, do not walk, to sign up. It will be well worth it.
Carpe Diem and Keep Curious!

KVQG Opportunity Quilt for 2017

Every year members of the Kaw Valley Quilters Guild make a quilt to raise money to help support guild programs. A small group usually makes the quilt and then one of our talented longarmers quilts it. The drawing for the quilt is usually held at our Fall mini retreat, at which time the new quilt is unveiled. This year, the drawing will be at the guild's 40th Anniversary Jubilee Celebration in September.

The punnily named Sew Whatever's (I love their name) group: Karla Menaugh, Georgann Eglinski, Carol Jones, Sarah Fayman, Roseanne Smith, Kathe Dougherty, Wendy Turnbull and Beth Stella - have been together quite a while.  They meet weekly at Sarah's Fabrics to sew and visit.

Last year, the Sew Whatevers, along with friends Linda Frost and Kathy Supernant, decided to take on the task of the opportunity quilt. Since 2017 is the 40th - Ruby Anniversary of our guild, they chose to make the quilt ruby and white. And IT IS STUNNING!

The unusual blocks come from the book Nearly Insane by Liz Lois. As soon as Wendy told me about the book, I ordered it. Can't wait for it to get here.

They knew they wanted blocks around a center medallion. They looked up pictures of the ruby nasturtium (40th Anniversary Flower) to design the center applique. Wendy Turnbull expertly did the applique and Kathy Supernant stitched the green stems and curlies.

The incomparable longarmer Lori Kukuk quilted this lovely with circles of feathers, grids, and some echo quilting around the applique wreath. 

The Kaw Valley Quilters Guild is selling tickets for opportunities to win this gorgeous quilt. I've had it out at several venues so far and will have it at (hopefully) the July Sidewalk Sale, the Douglas County Fair, and other venues around town from now until September, The tickets are $1 each or 6 for $5. If you would like to own this quilt, or support the KVQG, buy a ticket or five. Just let me know.

Curious about the KVQG? Check us out!

One Block Wonder - One crazy fabric equals one GEORGEOUS quilt

OK I almost don't even know where to start about One Block Wonder (OBW) quilts. I love them! I probably buy more OBW fabric than any other type of fabric.





My love affair with OBW quilts actually started with a Stack-n-Whack class at Overbrook Quilt Connection. What's the difference between OBW and SnW? The OBW was designed by Maxine Rosenthal. The SnW technique was designed by Bethany Reynolds. They are close cousins - the quilts, not the designers (grin). Both are kaleidoscope quilts. Both start with layers of fabric cut in exactly the same place. OBW usually have 6 layers and SnW usually have 8. OBW are cut in equilateral triangles; SnW are cut in wedges or 90 degree triangles. OBW are usually put together without a background, SnW utilizes a background fabric. You can get books that feature both techniques.



The SnW class I took at Overbrook Quilt Connection a million years ago was wonderful, although I am sorry that I don't remember who taught it. Here is what I do remember: my friend Bobbie and I used the same focus fabric with different backgrounds - I used yellow, she used green. The teacher warned us not to get our fabric mixed up, but one look at my area and you could tell by the mess that it was mine. Bobbie's fabric was nicely trimmed and stacked and mine was all over the place. There was no way we were going to mix up our stacks of fabric!

My next one was a OBW. My son James wanted a black and green quilt, so I decided to make him a OBW (see the first pic in the post). After looking for just the right fabric for a month or so, I finally found a cool tropical flower print in Colby Kansas.  I bought 6 or so yards - enough for the 6 repeats of the pattern plus some extra for borders.  After cutting the triangles and putting together the half hexies, I set aside all the blocks with the bright red, yellow, orange and yellow flowers. So James' quilt was mostly black and green and I had plenty of leftovers for a bright tablerunner.

One of the things I love about SnW and OBW is that you can use fabrics that you wouldn't normally put in a quilt - or at least fabric that I wouldn't normally use. You could even use "ugly" fabric! Check out some of the fabrics before I stacked and cut, and then the resulting hexagons. Pretty amazing, yes? 

Western Belt Buckle fabric

Kaffe Fassett Floral fabric

The other thing I love about OBW is that the technique is fairly simple. You just layer the fabric, cut strips and then triangles, and then sew 2 sets of 3 triangles together to make 2 half hexies. The hardest part is laying the hexies out in a way that "flows".

The third aspect of OBW that thrills me is that you have a million options when it comes to the layout - you can add tumbling blocks, solid strips, make the layout asymmetrical, or any number of other creative options. 

I am going to be teaching One Block Wonder quilts at Mea Bernina sometime in the future. I've taught 2 classes already and people want more. So check out the website for upcoming classes and come play with OBW quilts with me! 

Just writing about OBW makes me want to go down to my studio and play with my pretty OBW fabrics!

2017 - New BOMs! Oh Boy!

OK, so we all know I am a BOM addict. And here it is a new year, with a bunch of new BOMs starting. How could I resist?

So, here is the new 2017 BOM rundown:

Overbrook Quilt Connection is hosting a BOM in which you pay for your first month's block and if you get it done and bring it back next month, you get that month's fabric free. Free is good! 

I love the pattern as well as their fabric choices - and that doesn't happen very often. The unique layout of the blocks is really what drew me in. The fabrics are solid/tone on tone dark purple, magenta, gold, dark turquoise and dark grey with a white background. I haven't made the first block yet, but I'm definitely on schedule to have it finished in time to get my free second block.

Even though I haven't completely finished last two year's Hexagon Quilt Along with Katja Marek, I am getting ready to start the new one called Perpetually Hexie.  Katja's projects are all done with English Paper Piecing technique. I've ordered the paper pieces for the first two months. I'm not sure, but I am probably going to do this one in batiks, although grey batiks, true grey, are difficult to find. 

Next up is the 2017 Murder Mystery BOM by Whipstitch Modern Sewing.  I generally don't particularly like mystery quilts because they are a challenge to chose the colors since you don't know how its going to turn out. The interesting thing about this mystery BOM is that a chapter of the murder mystery story comes with the pattern.  The setting for the story is Cumberland Island, off the coast of the Georgia/Florida border. The main character is archaeobotanist Kitty Campbell. Should be interesting!  The first pattern (clue) arrived a few days ago, and I still am needing to locate (buy?) the main background fabric. She recommends, and I think I agree, that a bright green might just be the right color for the background.

The forth BOM on the list is Down the Rabbit Hole by Sarah Fielke. Our first block is expected at the end of January - so I'm not behind yet! I bought a champagne-colored linen-like fabric called "Quilters Linen" by Robert Kaufman. First time I've ever tried it, so I'll let you all know how I like it. I am thinking about using wild, wonderful Kaffe fabrics for the appliques.

Now, last (maybe until another one entices me) but not least is The Quilt Show's Halo Medallion, designed by the late, great Sue Garman.  My quilt is going to have a much different look - I chose a paisley on black for my focus fabric and will use blue, green, red and gold from the focus fabric for the accents. 

So that's 5 (1 in a shop and 4 on-line) new BOMs on top of the ones I'm still working on and the new ones I may start later . . .  Like I said, I'm a BOM addict!

Houston Class #4 - Bent Star with Gyleen X Fitzgerald

I first became acquainted with Gyleen Fitzgerald through a sew along on Facebook.  She was guiding us through a mystery stash buster called Bricks, Cobblestones and Pebbles, which she subsequently published in book form. It is a really cool pattern and is a great way to use up some of your scraps.  
So when I saw her on the class program at Houston, I jumped at the chance to meet her in person. I wasn't disappointed. She is a dynamo!

Her class, Bent Star, was a class in which we learned some piecing techniques including how to handle set in seams. My first challenge was fabric choice - I loved her colors and wanted the same bold impact without being a copy cat. I was able to find darker and lighter tone on tone fabrics in 4 different colors - fuscia, teal, green, and brick.  I chose two shades of brown for the small kite shapes. I think it looks sort of 3-D because of the light/dark values of the same colors.
I started with a dark blue for the background, but the teal blocks just faded away. Since I really wanted the star to pop, I tried several light greys before finally settling on this very light grey.


Gyleen quilted hers with straight lines and angles. Not feeling quite up to so many absolutely STRAIGHT lines, I decided to do come gentle curves - all going horizontally across the quilt.  I'm pretty pleased with the results. It makes a very stunning wallhanging.
Check out Gyleen's stuff!

Kaffe Fassett - A Love Affair with Color

Did you know Kaffe Fassett designed clothes for Barbara Streisand? Me Neither.
My first introduction to Kaffe was through Rowan yarns during my knitting days. I had no idea he was a haute couture fashion designer, a needle point designer, as well as a fabric designer.

So over the years I have used some of Kaffe's fabrics and have become more enamored with it.  I made this Convergence Quilt called Ricky Tims Meets Kaffe Fassett back in 2013 with Kaffe and Brandon's fabrics.  But starting in Fall 2016, I really kicked up my love affair with Kaffe's fabric up a notch.

First I joined Kaffe club from Charlotte's Sew Natural - I get 6 half yard cuts of Kaffe Collection (Kaffe, Brandon Mably, and Phillip Jacobs) fabric once a quarter.  I am anxiously awaiting my second shipment. Now Kaffe Collection fabrics have their own shelf on my fat quarter spinner rack!

Second, I joined the Kaffe Club at Sarah's Fabrics. We meet once a month on the first Saturday at Sarah's. Each month there are challenges - pertaining to fabrics, colors, or patterns. I haven't done any yet, but have fabric and plans to do the flying geese challenge.

Third, I had the definite pleasure to hear a lecture and take a workshop with Kaffe and Brandon hosted by Sarah's Fabrics on October 4th and 5th.


The workshop was awesome! Kaffe took some of us shopping in Sarah's to get just the right fabrics for our zig zag quilt.  We all did the same pattern from Kaffe's book Quilts In Italy. The pattern is quite simple but it's the fabrics that make it outstanding. We all used very different colorways. I choose soft blues and greens to evoke the feeling of the Italian coast.  We only did cutting and arranging during the workshop. I have most of my quilt sewn together now. 


Sarah's is having a show of all the workshop quilts on Friday January 27, 2017. Since I'm traveling, I don't think I'll have my quilt done in time to hang. Too bad! But I'm going to go and see all the completed quilts. I'll add some pics in a blog update so you can see some of the other colorways.

Curious about color? Check out the Kaffe Collective!

Houston Class #2 - Paula Nadelstern: Simple pattern, complex fabric

Continuing the series on classes I took at the Houston International Quilt Festival . . .

Class #2 was stellar, as in star like, as in Paula Nadelstern!
I took a Needlestar (get it? needle star, as in Nadelstern) class from Paula several years ago in Dallas and I just couldn't get enough.  I need to go back and finish the quilt I started in her class because it really is awesome.

The bottom line for the class I took in Houston reads use simple patterns and let complex fabrics do all the hard work.







Her new fabrics fall into two categories she likes to call prima donnas and allovers. Here is a perfect example of the prima donnas with allover sashing.




She had her new book available, which of course had to come home with me.  Ooooo lots of great projects in here. Also, got some new fabric. Surprised? No me neither.

OK, so if you ever have a chance to take a workshop or hear a lecture from Paula, do it! Do not pass it up. She is actually teaching on a quilting cruise to Norway this summer. I so wish I could go, but its not in the budget this year.

I'm telling you, you need to be CURIOUS about Paula Nadelstern!

Fabric Bowls - Possibly a New Addiction

I've always loved those fabric wrapped coiled clothesline bowls. I've got bowl envy - big time. My Pinterest "Fabric Bowl" board is full of bowls of various colors and sizes, and most exciting for me - handles. I love handles!

So if you want to join the bowl craze, here is what you'll need:

•  Fabric - make it scrappy or use just one or two coordinating fabrics. I've used both batiks and quilting cotton. Batiks tend not to ravel as much. I cut my strips 3/4 inch wide. You can also use jelly roll strips or Fat Quarters if you want.
• Lots of thread.
•  Fabric glue - I like Roxannes Glue Baste-It.
•  A few pins.
•  A few Clover Clips.
• Clothesline - 3/16th inch cotton or cotton-poly clothesline. Something not too stiff or too soft. You can find it at your LQS as well as your local hardware store, or big box discount store.
• Machine capable of doing a zigzag stitch and one that has some piercing power. My Bernina had no problems getting through fabric and clothesline.
• A 90/14 sharp needle.

There are several good tutorials out there, so I won't go into a lot of details on the how-to. There are also a few books available. I own this one - It's A Wrap.  Just know that it takes some practice getting the sides of your bowl at the angle you want. It's basically a matter of wrap, coil, sew, repeat. The wrapping takes the most time, but its a good TV watching activity.

I've made three bowls so far - one for our Sassy Strippers Club at Mea Bernina, one for my living room to hold potpourri, and a little bitty one to hold my cards at an upcoming show of some of my quilts (more to come about that). I've made each one a different shape and size and am experimenting with different handles. I'm also playing a bit with buttons and other embellishments. So, now I have a reason to look at awesome buttons when I'm out shopping.

I'm curious about all the various shapes and handles I can make! How about you?

Zen Garden Quilt

I am in the process of making quilts for each of the kids. Amy got her "Chocolate" quilt a few years ago. I have custody of Jim's "Tumbling Out of the Jungle" quilt. AJ, who said "no thankyou", got a simple flannel quilt made of 5 inch squares. I am hoping to do a Star Wars quilt for him in the future. Dan is patiently waiting for his lime green spiral quilt - he may even change his mind before I get started. And I am closing in on finishing Lynne's quilt - Zen Garden. ZG is the second quilt in my rotation. Check this out if you want more info on my rotation system.  

I saw a Garden Path wall hanging in Quilter's Haven in Olathe and fell in love with it. A little research led me to Kitty Pippen's book, Quilting with Japanese Fabrics. 

I asked Lynne what kind of quilt she wanted and recommended she look through my books. One of the quilts she liked was Kitty's Japanese Garden Path quilt. That was a no-brainer for me - I knew which quilt to make for Lynne!


And I knew which fabrics I had to use. Quilter's Haven has a wide variety of Daiwabo Japanese Taupes, so I started stocking up.  Lynne said she likes green and reds, so I decided to do the path in dusty greens, ranging from light to dark. The cherry blossoms in dusty pink. Kitty's quilt had 2 antique kimono panels, so I added in a pair of appliqued storks.

Zen Garden enabled me to do a lot of firsts - using Daiwabo Taupes, designing a quilt from a picture, using Sashiko stitching, and most exciting for me was using paper pieced hexagons. I've posted some about English Paper Piecing. I love it - and the 1/2 inch hexies in Zen Garden was the first time I got to make them. And an obsession was born!






Kitty very effectively used Sashiko stitches to suggest a brook running through her Japanese Garden.  What the heck is Sashiko? Sashiko is a traditional Japanese stitching - usually white on indigo.




 However, I will be doing it the easy way - using the Babylock Sashiko machine. 




I started searching for some motif to replace the kimono panels. I considered Japanese family crest motifs, stylized flowers, and kimono motifs. I finally found the stork applique and amazingly it looked just like the storks in a gorgeous painting we have and that hung in the living room in the home that Lynne grew up in. I hope she will recognize and appreciate the likeness. 

   

So, at this point, I am finishing up the remaining cherry blossoms, marking and stitching the Sashiko stitches, and thinking about an appropriate quilting design. 

Hopefully Lynne's Zen Garden quilt will be done by Christmas. I think it should given my rotation system. It should be done after a couple more rotations.



Curious about Daiwabo Taupe Fabrics and Sashiko? Try it, you'll like it!